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Ottoman classical music
Classical Turkish music ((トルコ語:Türk sanat müziği), "Turkish art music"; or ''Klasik Türk müziği'', "Classical Turkish music") developed in Istanbul and other major Ottoman cities and towns through the palaces, mosques, and Sufi lodges of the Ottoman Empire.〔Feldman, Walter. ''Music of the Ottoman Court''. 1996. ISBN 3-86135-641-4〕 Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times, instruments might include tambur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic.
== Overview ==
Ottoman music has a large and varied system of modes or scales known as ''makams'', and other rules of composition. There are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, but today only around 20 makams are widely used. In the Sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to cure certain medical and psychological conditions.
A number of notation systems were used for transcribing classical music, the most dominant being the ''Hamparsum'' notation in use until the gradual introduction of western notation. Turkish classical music is taught in conservatories and social clubs, the most respected of which is Istanbul's ''Üsküdar Musiki Cemiyeti''.
A specific sequence of classical Turkish musical forms become a ''fasıl'', a suite an instrumental prelude (''peşrev''), an instrumental postlude (''saz semaisi''), and in between, the main section of vocal compositions which begins with and is punctuated by instrumental improvisations (''taksim'').〔(【引用サイトリンク】title=The Ottoman Music ) Tanrıkorur argues that the perceived differences between the traditional music genres stemmed from the cultural clash between the East and the West that emerged during the Tanzîmat Era (1839-1908).〕 A full fasıl concert would include four different instrumental forms and three vocal forms, including a light classical song, ''şarkı''. A strictly classical fasıl remains in the same ''makam'' throughout, from the introductory ''taksim'' to the end, which is usually a dance tune or ''oyun havası''.〔(【引用サイトリンク】title=The Fasil )〕 However shorter ''şarkı'' compositions, precursors to modern day songs, are a part of this tradition, many of them extremely old, dating back to the 14th century; many are newer, with late 19th century songwriter Haci Arif Bey being especially popular.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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